I love porridge, but…
I love porridge, but as Philip Pullman points out, it’s not the thing to aim to cook up when you’re creating stories: “I enjoy the process of constructing a story and making it better… You have to hear what you’re writing. Because prose isn’t simply a sort of porridge with no structure. It’s got a metrical structure, and if you’re not aware of it, you damn well ought to be.”
Steve Reich, in the BBC’s Tones, Drones and Arpeggios – The Magic of Minimalism, says something very similar in terms of music making: “All great music is founded on some very strong structural development and creation. Without the marriage of the thinking process and the emotional process, then, it doesn’t matter.”
So here’s to the structure in stories. An unsung hero, it’s rarely the first thing we think of when we’re caught up in the magic of an amazing tale, not least because it’s often intentionally buried or hidden backstage. But in all the best stories it’s there, working hard behind the scenes to help bring the story to life.